Offcut
No. 14 · Winter 2026A quarterly of culture & dissent€18 · Independent since 2013
A Lisbon street, cover feature
Alfama, at the hour the tram fills, M. Soares
No. 14 · Winter 2026 · A quarterly of culture & dissent

The Last Analog City

In Lisbon, the funiculars still run on cables and the newsstands still open at six. What a city keeps when it refuses to update.

Words by Teju Andrade · Photographs by Marta Soares

Offcut
No. 14 · Winter 2026€18
Independent since2013
Essays · Reporting · Interviews · Fiction
ContentsIn this issue

The Essay · Cities

The Last Analog City

Words by Teju Andrade · Photographs by Marta Soares

Every morning the No. 28 tram leaves Martim Moniz already full, and every morning it fills again at the next stop, because the people who ride it are not commuters so much as witnesses. They have watched the city be sold, floor by floor, to funds with names like weather systems.

What survives is stubbornly physical: the tiled facades, the paper timetables, the man who has repaired the same three streets of shoes since 1981 and will not take a card. Analog is not nostalgia here. It is a form of resistance with a business licence.

In this issue

Nine features · pp. 12–92
ReportingWho Owns the Night?Ada Kerr on the private takeover of public darkness.p. 12 InterviewHilma Was RightA conversation with painter Sofia Crane.p. 28 EssayAgainst the FeedMarcus Vale on attention as the last commons.p. 40 FictionSaltwaterA new short story by Iman Reyes.p. 54 DispatchLetter from TbilisiNino Beridze, from a city rewriting itself.p. 66 CriticismThe Return of the Long TakeWhy cinema slowed down again.p. 78
From the editor’s note, No. 14
A magazine is a place you can hold, a fixed argument in a world that keeps editing itself.
From the editor’s note, No. 14
Regulars
Newspapers spread on a table
The Ledger

What Things Cost

A single object, priced down to the labour behind it. This issue: a flat white.

Magazines on a shop wall
Marginalia

Notes & Corrections

Readers argue back, and we lose gracefully. Plus three books worth the shelf.

The Back PageOne page, one voice, no photograph.
The Back Page

Last Word

One page, one voice, no photograph. This quarter, a coda from Tbilisi.

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